gusenga
01 December 2006
from Oslo
I am in Oslo for the second day. We visited a public park (I cannot remember the name) that was full of nude sculptures representing every stage of life from birth to death. The sculptures were so moving that I thought I'd post a few.
I also found the experience interesting as I wondered what the Christian is supposed to think about nudity. Everyone in my group had a momentary expression of internal discomfort - a slightly dirty joke from one person; a nervous snicker from another while posing for a picture near a nude man; fumbling over words for breasts and genitals; etc.
There seems to be a tension between post-fall shame at our nakedness, and pre-fall appreciation of the beauty and freedom of nakedness.
20 October 2006
Why "gusenga"?
Fidele is nine years old. He enjoys soccer, french fries, television, and the company of other children. In April 1994 his government orders his neighbors to kill him and his family. He shouts an emphatic call to prayer - "gusenga" - and moments later is shot in the head.
Nadia is eight years old. She loves chocolate. She enjoys singing her favorite song, "My Native Land which God Chose for Me." In 1994 she is hacked to death with a blunt machete.
Aurore is two years old. She is chatty and curious. She likes to play hide-and-seek with her older brother. In 1994 she is burned alive in her village church.
These Rwandan children are among the 800,000 Tutsis killed by their Hutu neighbors over 100 days in 1994. Each of their stories depicts what could be interpreted as faith's failure in the face of human cruelty. Fidele's prayer of desperation, Nadia's song of thanksgiving, Aurore's church of refuge - none could prevent the atrocities of genocide.
Faith's apparent failure is a central idea in Christianity. An innocent is slaughtered; his cries to God are ignored; his life of obedience ends in torture and shame.
Nothing has deepened my understanding of God more than looking flatly at issues of cruelty and suffering; not only the obvious cases like genocide, but also the more subtle cruelties like gossip, self-promotion, and manipulation. Such issues are so central to our existence, and to the message of Christianity, that I cannot avoid them. These are the issues that I want to explore in this blog in hopes of better understanding the agony of the cross and the beauty of redemption.
I hope you will join me.
Amy
Nadia is eight years old. She loves chocolate. She enjoys singing her favorite song, "My Native Land which God Chose for Me." In 1994 she is hacked to death with a blunt machete.
Aurore is two years old. She is chatty and curious. She likes to play hide-and-seek with her older brother. In 1994 she is burned alive in her village church.
These Rwandan children are among the 800,000 Tutsis killed by their Hutu neighbors over 100 days in 1994. Each of their stories depicts what could be interpreted as faith's failure in the face of human cruelty. Fidele's prayer of desperation, Nadia's song of thanksgiving, Aurore's church of refuge - none could prevent the atrocities of genocide.
Faith's apparent failure is a central idea in Christianity. An innocent is slaughtered; his cries to God are ignored; his life of obedience ends in torture and shame.
Nothing has deepened my understanding of God more than looking flatly at issues of cruelty and suffering; not only the obvious cases like genocide, but also the more subtle cruelties like gossip, self-promotion, and manipulation. Such issues are so central to our existence, and to the message of Christianity, that I cannot avoid them. These are the issues that I want to explore in this blog in hopes of better understanding the agony of the cross and the beauty of redemption.
I hope you will join me.
Amy
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